Stephen King adaptations – Cultural zeitgeist and characterization of social constructions

<p dir="ltr">Stories have an unparalleled ability to shape our understanding of the world. When a beloved book becomes a film, it carries the weight of audience expectations, forcing creators to navigate the line between faithfulness to the source material, the demands of cinematic storytelling and a personal creative take.</p><p dir="ltr">My thesis explores this intricate process through the lens of Stephen King’s works and their adaptations, a body of work that spans nearly five decades and reflects the changing landscapes of both literature and cinema. Focusing on Carrie (1976 and 2013) The Shining (1980 and 1997) and The Green Mile (1999), this thesis examines how themes of isolation, exclusion, and societal pressures transform when reimagined for the screen. It delves into the nuanced differences in character portrayals, narrative pacing, and cultural significance across adaptations, questioning why some succeed as timeless cinematic gems while others fade.</p><p dir="ltr">By analysing these adaptations within their historical and social contexts, I aim to uncover how filmmakers interpret and translate King’s richly textured worlds. This work also critiques the broader implications of adaptation, including issues of representation, creative liberties, and the tension between artistic expression and commercial imperatives.</p><p dir="ltr">Ultimately, this thesis isn’t just about King’s works; it’s about the art and responsibility of adaptation. Through exploring the successes and failures of these films, I reflect on my own journey as a filmmaker and storyteller, driven by a dream to honour the integrity of stories that shape our lives.</p>