The closer you look, the less you see - Dreams and memory through the confusing lens of Andrei Tarkovsky

This paper examines dream sequences in the films of Andrei Tarkovsky. Examining the techniques and choices of a filmmaker can allow us to better understand their intentions and beliefs about their medium. This inquiry examines how Tarkovsky creates his own unique cinematic language to depict narratives that are very personal to him. Chapter one discusses his first feature film Ivan’s Childhood. This film's dream sequences adopt more conventionalities than his later work. Chapter two focuses on the movie Mirror which is arguably Tarkovsky's most experimental film, the structure of the film is non-linear and the distinction between dream, reality and memory is unclear making the plot difficult to follow. Chapter three analyses’ the film Nostalghia which is Tarkovsky penultimate film, in this film he addresses the effects of being separated from one’s homeland which is reflected in the protagonist’s dream world. Incorporating evidence from Tarkovsky’s own writing allows understanding about his artistic process and opinions. The conclusion is that Tarkovsky uses dream sequences to express the introspective and subjectiveness of the human experience. His philosophy on film enables him to create his own cinematic language breaking away from industry conventions.